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The Blu-ray Disc (BD), often known simply as Blu-ray, is a digital optical disc data storage format. It was invented and developed in 2005 and released on June 20, 2006 worldwide. It is designed to supersede the DVD format, and capable of storing several hours of high-definition video (HDTV 720p and 1080p). The main application of Blu-ray is as a medium for video material such as feature films and for the physical distribution of video games for the PlayStation 3, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series X. The name "Blu-ray" refers to the blue laser (which is actually a violet laser) used to read the disc, which allows information to be stored at a greater density than is possible with the longer-wavelength red laser used for DVDs.
The first BD-ROM players (Samsung BD-P1000) were shipped in mid-June 2006, though HD DVD players beat them to market by a few months. The first Blu-ray Disc titles were released on June 20, 2006: 50 First Dates, The Fifth Element, Hitch, House of Flying Daggers, Underworld: Evolution, xXx (all from Sony), and MGM's The Terminator. The earliest releases used MPEG-2 video compression, the same method used on standard DVDs. The first releases using the newer VC-1 and AVC formats were introduced in September 2006. The first movies using 50 GB dual-layer discs were introduced in October 2006. The first audio-only albums were released in May 2008.
Audio, video, and other streams are multiplexed and stored on Blu-ray Discs in a container format based on the MPEG transport stream. It is also known as BDAV MPEG-2 transport stream and can use filename extension .m2ts. Blu-ray Disc titles authored with menus are in the BDMV (Blu-ray Disc Movie) format and contain audio, video, and other streams in BDAV container. There is also the BDAV (Blu-ray Disc Audio/Visual) format, the consumer oriented alternative to the BDMV format used for movie releases. The BDAV format is used on BD-REs and BD-Rs for audio/video recording. BDMV format was later defined also for BD-RE and BD-R (in September 2006, in the third revision of BD-RE specification and second revision of BD-R specification).
For users recording digital television programming, the recordable Blu-ray Disc standard's initial data rate of 36 Mbit/s is more than adequate to record high-definition broadcasts from any source (IPTV, cable/satellite, or terrestrial). BD Video movies have a maximum data transfer rate of 54 Mbit/s, a maximum AV bitrate of 48 Mbit/s (for both audio and video data), and a maximum video bit rate of 40 Mbit/s. This compares to HD DVD movies, which have a maximum data transfer rate of 36 Mbit/s, a maximum AV bitrate of 30.24 Mbit/s, and a maximum video bitrate of 29.4 Mbit/s.
Sony added Blu-ray 3D support to its PlayStation 3 console via a firmware upgrade on September 21, 2010. The console had previously gained 3D gaming capability via an update on April 21, 2010. Since the version 3.70 software update on August 9, 2011, the PlayStation 3 can play DTS-HD Master Audio and DTS-HD High Resolution Audio while playing 3D Blu-ray. Dolby TrueHD is used on a small minority of Blu-ray 3D releases, and bitstreaming implemented in slim PlayStation 3 models only (original "fat" PS3 models decode internally and send audio as LPCM). The PlayStation VR can also be used to watch these movies in 3D on a PlayStation 4. As of 2018, most major home entertainment studios, such as Walt Disney Studios, Sony Pictures, MGM, and Universal Pictures had discontinued the Blu-ray 3D format in North America, but continued to produce and sell them in other regions such as South America, Europe, Asia, and Australia. Paramount Pictures has ceased sales and productions of 3D Blu-ray Discs all over the world, its last 3D releases being Ghost in the Shell and Transformers: The Last Knight, while Warner Bros. still continues to sell and produce 3D Blu-ray Discs to this day in all regions, notable titles including: Wonder Woman, Blade Runner 2049, Justice League, Tomb Raider, Rampage, Aquaman, The Lego Movie 2: The Second Part, Shazam!, and Godzilla: King of the Monsters.
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This option decodes all the available frames in the source and does not make any effort to maintain audio-video sync. It results in smoother motion in the video. You can choose this setting if you are doing motion graphics work and care more about getting all the available video frames. Smooth Video Motion is the default when Premiere Pro does not detect audio in VFR clips.
For example, you can switch without fear from a 32-inch (80 cm) 1080p HD television placed 2.5 m from viewers to a 65-inch (164 cm) UHD television, without having to move the sofa back. The image will be much larger and the immersion much better, but the pixels that make up the image will remain invisible to viewers at this distance.
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To obtain in-depth insight into the perceptions of nurse academics and other stakeholders regarding the importance, facilitators and barriers for nurses combining clinical and academic work in university hospitals. Combining clinical practice and academic work facilitates the use of research findings for high-quality patient care. However, nurse academics move away from the bedside because clinical academic careers for nurses have not yet been established in the Netherlands. This qualitative study was conducted in two Dutch university hospitals and their affiliated medical faculties and universities of applied sciences. Data were collected between May 2015 and August 2016. We used purposive sampling for 24 interviews. We asked 14 participants in two focus groups for their perceptions of importance, facilitators and barriers in nurses' combined clinical and academic work in education and research. We audiotaped, transcribed and thematically analysed the interviews and focus groups. Three themes related to perceived importance, facilitators and barriers: culture, leadership and infrastructure. These themes represent deficiencies in facilitating clinical academic careers for nurses. The current nursing culture emphasises direct patient care, which is perceived as an academic misfit. Leadership is lacking at all levels, resulting in the underuse of nurse academics and the absence of supporting structures for nurses who combine clinical and academic work. The present nursing culture appears to be the root cause of the dearth of academic positions and established clinical academic posts. A culture change would require a show of leadership that would promote and enable combined research, teaching and clinical practice and that would introduce clinical academic career pathways for nurses. Meanwhile, nurse academics should collaborate with established medical academics for whom combined roles are mainstream, and they should take advantage of their established infrastructure 2b1af7f3a8